![]() Since all DAWs ‘ sound the same’ as they are merely digital representations (0’s and 1’s) of audio, they must differentiate through functionality. An early market entrant, Avid’s Pro-Tools has been an industry standard since penetrating the professional studio market in the 1990’s. ![]() It is what allows the CPU to intake an audio signal and process it as a digital file that can later be manipulated, much like photoshop. In the last 5 years, technological advances have allowed novices to become near-professional sounding producers, removing the barriers to entry from a financial and talent perspective.Īt the heart of any studio is a Digital Audio Workstation (DAW). ![]() ![]() After all, who cares about access to millions of songs if none of them are any good. It is the democratization of the recording studio and technologies therein that have made this dynamic possible. ![]() But beneath the distribution services, are creators: a community of artists who have collectively made a large enough library of desired content that businesses have judged it economically viable to create distribution platforms to serve global markets. Atop the entertainment food chain are consumers of content, fed by a myriad of distribution services that serve millions of songs, television shows, and movies. ![]()
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